All rights reserved. Comments & Discussion for Ctnr Audio Korg Minilogue Editor. A comprehensive redesign, such as no other synth, meant for usage in the studio, at home, or live on stage. If you select the last of these but don’t apply any delay, you can combine the HPF with the LPFs in the main voicing architecture to obtain band–pass filtering, which is a useful bonus. Finally, Sidechain Mode lowers the volume of any already-played voice when a new one is triggered - there's plenty to work with and it's certainly fun switching between the modes during live performances, too. Two years later, Korg followed with their flagship analogue polysynths, the Prologue 8 and Prologue 16 with eight and 16 voices respectively. In fact, the Minilogue feels more 'premium' than many of the more expensive synths we've tested recently! There are 14 metal 'paddle' switches (like a '70s music centre/'80s video recorder!) While Korg has been perfecting its analogue tech with the re-release of the ARP Odyssey (duophonic) and its super-cheap Volca Keys desktop module (3-note polyphonic), many of us have been trying to predict what the company would do next. Even if you have a MIDI controller that allows you to remap the MIDI CCs sent by its various knobs, sliders, wheels and pedals, you’re still going to have to invest considerable time and effort if you want to use the Minilogue with it. When Korg introduced the Minilogue in 2016 it was a game-changer. BA1 1UA. The 4-pole is smoother/darker while the 2-pole is brighter/more lively/biting, but both sound sweet and the resonance on both types is great for making kicks/hats. There’s nothing stopping you from invoking these in any combination, although, even with extreme settings, everything remains well behaved — in the area of useful sound effects rather than sonic mayhem. You'll notice there's a small, perfectly-formed OLED display on the right - this displays patch names, parameter values/changes, four sequencer 'motion' lanes and a handy real-time oscilloscope so you can 'see' your sounds. It can sound excellent and, notwithstanding the fact that it’s smaller than I would like, it looks great. The Minilogue boasts remarkably few sockets. Minilogue's features are comparable to those of high-end synthesizer, but this device's price tag is much lower. Despite their rather different architectures and control surfaces, I was again surprised to find that I could make basic patches sound all but indistinguishable on each, which is a compliment to Korg’s modelling algorithms. But, even ignoring this anomaly, sounds can range from almost subsonic at the bottom end to almost supersonic at the top, even when confined to the Minilogue’s three–octave keyboard. Named after one of techno’s most prolific analog producers, Korg’s original Minilogue was released to rave reviews and much fanfare. The Attack, Decay and Release stages on most analogue synths tend to be curved, which results in smooth transitions from one stage of the contour to the next. Next to these lie 3.5mm Sync In and Out sockets and, to the left of these, you’ll find standard five–pin MIDI In and Out connectors plus a USB ‘B’ socket that carries MIDI but not audio. You can also record up to four motion sequences (sequences that contain changes to one of the top-panel control values) within each Program. However, the more I used the Minilogue, the more I realised that I rather liked it. Korg Minilogue Review. If you exlucde Akai's 2-octave, 4-voice Timbre Wolf at £299, we can't think of another analogue synth at a similar price point that offers this facility There's a significant jump in price up to DSI's Mopho X4, the Elektron Analog Keys and the Roland JD-XA (all DCO, not VCO). 8 Voice Modes - Poly ,Duo ,Unison ,Mono ,Chord ,Delay ,Arp ,Sidechain Realtime Oscilloscope 16- Stepsequenzer - , 4 Paramters can be used for Automation 200 Presets - 100 are Factory and 100 are Free to save. Aftertouch isn’t provided from the keyboard or over MIDI, and Korg have eschewed the usual performance controls, substituting a single sprung slider that lies at about 15 degrees to the left/right axis of the instrument. These all send/receive MIDI and feel very sturdy indeed due to their metal shafts, underlining that Korg has designed the Minilogue to last going forward and not just to meet a price-point. We feel that the idea of a ‘go to’ master synth is less relevant today (although there is a place for that too), and the Minilogue at this price and polyphony is not really about that. Web site designed & maintained by PB Associates & SOS. Reviews » Gear/Software » Korg Minilogue Korg Minilogue. Pros. 16 global ratings | 6 global reviews There was a problem filtering reviews … We also found the envelopes to be pleasingly snappy (perfect for punchy leads, basses and drum sounds) and the second ADSR can be used as a general envelope and assigned to the filter and/or other parameters including LFO rate/intensity. I would also have included MIDI Overflow so that users could chain two or more units. What Does it offer ? At ANR we couldn't help but following the recent KORG Minilogue's release with a rush of excitement. And show you how to fix the envelope retrigger issue Whether you're a fan of downsized keybeds or not, it's fast/enjoyable to play, and when you consider that the Minilogue will fit into a very compact case that you can easily take onto a plane as hand luggage, any reservations about it are soon firmly quashed - this will likely be the perfect form factor for many gigging/touring synth players. The last of these requires numerous button pushes but works if you’re prepared to put the time in. You can go thin, fat, evolving and anywhere in between, and we're seriously impressed by the huge range of timbres that are available using the eight available Voice Modes (more on these shortly) and some shape modulation. This was a synthesizer that was highly awaited, and it did not disappoint. The standout features of the Korg Minilogue. Each voice offers two VCOs plus white noise, a low–pass VCF and an audio VCA, all modulated by a digitally generated LFO and shaped by dual, digitally generated ADSR envelopes. (The keys, not the widdly solos.) Its non–standard MIDI CC map means that you can’t easily use it with other devices. It's a true analog polyphonic synth for around $500, and frankly, there isn't much else like it … Please refresh the page and try again. Polyphonic Analogue Synthesizer 200 fully editable presets Modes: Poly, Duo, Mono, Chord, Unison 16-step poly note and motion sequencer Super flexible 4-voice analog synthesizer with 2 oscillators per voice, switchable 2-/4-pole lowpass filter, onboard tape-delay emulation, 16-step sequencer, 8 voice modes, and MIDI an You can often eliminate this by tweaking the amount of sweep or adjusting the relative tuning, or by selecting the sawtooth as the carrier but, of course, that may not be what you want for that patch. Despite these limitations, I was surprised to discover how flexible the Minilogue can be, although there are several things that I might have done differently had I been one of its designers. The front panel is fashioned from 2mm sand-blasted anodized silver aluminium, which feels tough and is nicely contoured/textured, whilst the chassis is constructed from tough/lightweight plastic with a Pyinkado wood back panel (a South Asian tree known to have very durable properties). As already mentioned, the Minilogue has 4 voices, so you can play up to 4 notes simultaneously. Pro. ... Average user rating of 0.00 from 0 reviews. Matt Vanacoro from AskAudio reviews the Korg Minilogue analog synthesizer. Delay Mode allows each voice to be triggered in turn, with VMD varying the delay between voices. Brass, flutes, leads, basses... the Minilogue was proving to be much the equal of its ancestor. Although many manufacturers are now using miniature keybeds, I put this question to Korg and they responded, “It’s a form factor that’s increasingly compatible with a lot of studio environments with less space. Korg Minilogue ♫ - już od 1849,00 zł ♫ oceny i opinie ♫ porównanie cen w 8 sklepach ♫ Zobacz najlepsze Instrumenty klawiszowe na Ceneo.pl In addition to notes, you can record rests and ties, as well as determine the Gate Time on a note–by–note basis. How are ratings calculated? It functions as a VST Plugin and a Standalone Application. But as I extended the complexity of my sounds, the characters of the two instruments started to diverge from one another. The pots remain black, but could still use a white line to indicate position, which I think would have set it off a treat. The views expressed are those of the contributors and not necessarily those of the publishers. All contents copyright © SOS Publications Group and/or its licensors, 1985-2021. Straight out of the box, the build and looks are impressive. With so many unallocated MIDI CCs and NRPNs available, I’m at a loss to understand this. It would seem sensible. plus USB (MIDI only), full-size DIN Midi In and Out and Sync In/Out minijacks for interfacing with other Korg Sync-equipped gear (along with other third-party equipment that can read or send 5V pulse signals). With the resonance set higher than the two o’clock position and the keyboard tracking at 100 percent, it’s possible in either mode to play the four self–oscillating filters like a set of slightly wonky, out–of–tune oscillators. You can direct just one from a list of 29 parameters to this, ranging from pitch–bend and various oscillator, filter and contour settings, to things such as the delay time or feedback amount, or Voice Mode Depth. Korg Minilogue – In-Depth Video Review. Connection-wise, the Minilogue runs off a wall-wart (expected at the price point) plus there's a full-size mono-jack output (use the headphone out to run split-mono/pseudo-stereo) a mono audio input which runs through the filters, envelopes and delay too (fantastic news!) Adding a second oscillator on the Mono/Poly and selecting Duo mode on the Minilogue reinforced the similarities, although this was one area in which the vintage synth demonstrated its occasional superiority by allowing me to mix PWM with other waves. Many of these have obvious uses: master tuning, naming patches, MIDI and sync parameters, local on/off, how the knobs respond, and so on. Unfortunately, there seems to be a problem with the sync when used with certain combinations of pitches, pitch sweeps and waveforms. You can make deep, subby and growling basses, a great Wurlitzer-style EP, wah Clav's, rich evolving pads, cutting leads, huge stacked unison sounds and MS-20-style FX and bleeps. Wrapping up our Korg Minologue XD synthesizer review. For example, there are some hidden functions accessed using the Shift key, so I would have silk–screened them on to the panel. Yet more provide vital parameters for the sequencer including the length, swing, and gate time. Korg’s single–handed analogue revival continues unabated, with the release of an affordable four–voice polysynth. I’ll leave it to Korg’s marketing department to come up with equivalents. The Minilogue features eight versatile Voice Modes, with an accompanying Voice Mode Depth dial (VMD) that unlocks functionality specific to the selected mode. Thank you for signing up to Musicradar. Either way, it’s clearly designed as a stepping stone between the mini and pr… Bath Austrian Audio OC818 Dual Set Plus microphones. Two of the Minilogue's greatest assets are its small footprint and 2.8kg/6lbs weight - these have been made possible largely because of Korg's familiar 'SlimKey' keybed, as found on its ARP Odyssey, MS-20 Mini and RK100S keytar. Korg made the Mini provide users the ability of polyphonic analog for a low price. The operations of some of these modes are obvious — for example, Poly is the four–voice polyphonic mode, Unison plays all four voices under a single key, and Arp invokes the arpeggiator. The Minilogue's architecture is really versatile, which makes it stand out even against pricier competitors. It's unmistakably Korg-sounding (almost like a polyphonic MS-20 at times), though it's warmer/deeper and more refined, whilst simultaneously sounding edgy/progressive. And, while its looks shriek ‘virtual analogue’, the signal path is genuine analogue, which is going to attract a lot of interest. Filter by. That musicians still clamored after accessible analog sounds, and 2. There are 200 memories in the Minilogue: 100 preset factory sounds that you can’t overwrite, and 100 user memories. I conducted most of this review with the Minilogue perched on the laptop extension of an Arturia KeyLab 88 MIDI controller, which would have worked perfectly had Korg’s engineers not chosen to ignore the standard MIDI CC map and substitute new destinations for every controller. Arp Mode turns on the 14-mode arpeggiator (MIDI-syncable but currently not latchable). All rights reserved. You may not wish to use its ‘slim’ keyboard. The korg minilogue is a four-voice polyphonic true-analog synth. With the current resurgence of all-things-analogue, though, it was only a matter of time before the company got back into this particular game. New analogue engine with versatile and powerful-sounding VCOs and filter. When I received the synth, I worked my way through all 100 of its presets, which demonstrated its capabilities in a variety of monophonic and polyphonic roles. You'll also have noticed that there are no pitch and mod wheels. Audio I/O is limited to a single quarter–inch monophonic output, a single–channel quarter–inch audio input, and a quarter–inch TRS headphone output. The shaping applied to the pulse wave is simple to explain: it’s pulse width when controlled by the knob, and PWM when controlled by the LFO, and it generates the usual range of sounds. Plays a four–note chord when you play a single key. The Minilogue is just so inspiring.". I conducted most of this review with the Minilogue perched on the laptop extension of an Arturia KeyLab 88 MIDI controller, which would have worked perfectly had Korg’s engineers not chosen to ignore the standard MIDI CC map and substitute new destinations for every controller. If these limitations don’t bother you, I suspect that you’re going to like it a lot. It generally produces a very high-quality sound, though it'll do dirty/hissy when you really crank the levels through the mixer, push the delay or use the cross mod/sync and ring mod. Not just ‘why’, but... WHY? When I placed both instruments into polyphonic mode, the truly polyphonic, dual–oscillator architecture of the Minilogue hugely outreached the paraphonic Mono/Poly, so I found myself wondering how it would compare with one of Korg’s more recent four–voice polysynths, the MS2000. The Korg Minilogue XD took the synth market by storm over the last year. Korg Minilogue XD - Find the lowest price on PriceRunner Compare prices (updated today) from 12 stores Don't overpay - SAVE on your purchase now! But then we come to its ‘slim’ keyboard, on which a standard octave width spans roughly a 10th — say, from C to E rather than C to C. I understand that many people nowadays use synth keys as triggers rather than as the means for playing conventional keyboard parts and widdly–widdly solos, but I have to admit that I’m becoming sick of these abominations. The Voice Modes add a lot to its flexibility and usefulness. The Minilogue is the first and more significant of the two synthesizers using 37 slim-sized keys. Chord Mode turns the VMD dial into a chord selector where chords are triggered by a single key press - very handy for quickly coming up with chord sequences. The Korg Minilogue would have been attractive even if it was a single voice. The Minilogue is much cheaper than many of the four–voice analogue/digital hybrids from elsewhere, and it can sound great. If you set up a standard hard-sync patch with the assignable EG sweeping the pitch of VCO2, everything goes swimmingly until the sweep approaches zero, at which point there’s a discontinuity in the sound. Clearly, Korg’s four–voice VA synth engine is a very different beastie, so I decided not to pursue this comparison any further. Each of them possesses oscillators. I checked that I hadn’t done anything stupid (I hadn’t) so I inspected the Minilogue’s CC list. If you’re not, a module with standard MIDI CCs or, better still, another model offering a full–sized keyboard and more than one performance control, as well as standard MIDI CCs, would be even better. This, at first, appears to be affected only by its dedicated ADSR contour generator. The Minilogue is just so inspiring. The outputs from the oscillators and the noise generator are mixed before being fed to the input of the switchable 12dB or 24dB/octave low–pass filter, which I found to have a cutoff range in either mode of almost precisely 20Hz to 20kHz. Korg Minilogue XD 4-Voice Analog Synthesizer Module. The filter can also be velocity controlled/keyboard-tracked and has 2- and 4-pole modes which have nicely different resonant characteristics, adding much to the overall versatility. Believe it or not, Korg hasn't released a keyboard-equipped analogue poly since 1985's DCO-driven Poly-800 MK2. Determines the amount of level reduction. Sort by. Win! Korg Minilogue XD Review The latest loopop video takes an in-depth look at the Korg Minilogue XD . Unison stacks all the voices together for a massive sound (great for trance/electronica), again with detuning via the VMD dial. You can invoke the auto–tune routine to keep them in tune and scaled but, once they’ve drifted a little, you can create some nice, eerie patches, just as on vintage synths with the same facilities. At its heart are eight lively-sounding analogue oscillators (two VCOs per voice), each with saw, triangle and square waves. We check over 130 million products every day for the best prices. The cutoff control boasts the largest knob on the panel, and there are additional controls for the amount of resonance and the amount and polarity by which the assignable EG affects the cutoff frequency. Last but not least, the characterful delay is indispensable, and can add reverb-like ambience and/or distorted atmospherics. Mono Mode is a classic monosynth mode, with VMD acting as a sub-oscillator level control for adding low end, weight and growl to your monophonic sounds. Notably, when MIDI-clocked from our DSI Tempest/Logic, the Minilogue's timing was rock solid. Modulation-wise, there's loads to mess-up or subtly massage sounds, including the audio-rate-capable LFO with three waveshapes, cross-mod, ring-mod, shape-mod, PWM, sync, pitch-mod, the assignable EG and white noise - all of which can be tweaked directly via the panel (or via MIDI). However, I suspect that sales will be rather more hampered by its miniature keyboard and limited performance capabilities than Korg would wish. There's also a square wave sub-oscillator available in Mono Mode (via the Voice Mode Depth dial) which sits one or two octaves below Osc 1. Perhaps concerned for the UK and its shrinking pound, they chose the latter. (Note- you can remove/swap the dial caps for something a little more blingy if you so desire). The Minilogue XD is a ‘slim key’ hybrid synth that combines analog elements with Korg’s ‘multi-engine’, which is a digital section that can run digital oscillators and effects, from Korg, third-party and open source developers. Well-built yet very portable and compact. You will receive a verification email shortly. It also helps you navigate program/sequence/global settings in combination with the eight red-backlit function/Voice Mode buttons underneath. In addition, an internal power supply would have made the whole package feel more ‘pro’, although I have to admit to being impressed by the solidity of the instrument, and in particular the control panel’s knobs and switches, which feel much smoother and more solid than the Minilogue’s price might lead you to expect. We're not sure how Korg has pulled this off for the price but the company has nailed it. In addition, each wave has a continuously variable (and modulatable) shape, making the Minilogue a surprisingly powerful/versatile sonic toolbox. Nonetheless, it’s capable of a range of quasi–reverberant effects as well as standard echoes and delays. It's stored per patch and can be placed pre/post-filter, too. and 29 black plastic dials on the panel. The factory presets had strongly influenced my initial perceptions of the Minilogue but, in my view, there’s a better (or, at least, more appealing to an old fart) synth within, waiting for the opportunity to burst forth. It’s a simple but classic voice architecture, although Korg have enhanced it with some interesting twists that we’ll address in due course. In most cases this isn’t an issue, but on some patches — and in particular on some sync’ed sounds where you use the assignable EG to control the pitch of VCO2 — you’ll notice that there’s a cusp as the Decay stage progresses into the Sustain phase. In fact, there’s a great deal about the Minilogue that I like. The sequencer is a handy ideas scratchpad and an addictive evolving looper too, particularly when you start recording dial (motion) tweaks. Increases the detuning of the unison pairs. The results weren’t always identical, but again I was surprised by how similar I could make them. On the other hand, the Minilogue would have stepped way beyond the Mono/Poly had I chosen to invoke its triangle and sawtooth waveshaping. I discovered this when I trod on the Arturia’s sustain pedal and, rather than obtaining a sustained sound, heard one of the oscillators jump up a few octaves. Unfortunately, you can’t apply LFO–driven waveshaping to one oscillator and not the other, which precludes patches that mix sawtooth and PWM waves for ensemble sounds, and you can’t use the LFO to modulate the pitch of one oscillator but not the other, which precludes many chorus patches. As we mentioned earlier, this device comes with four independent voices. Buyers' guides to all the best music gear, The 16 best software samplers in the world today, 15 easy blues guitar chords every guitarist needs to know, The 25 best VST/AU plugin synths in the world right now: all the best soft synths you need in your DAW, In pictures: 68 pro guitarists' pedalboards, The best new free VST/AU plugin effects to download in 2017. Build Quality - Build is excellent for the price, with an aluminum top panel, chassis-mounted metal shaft pots, a sustainable wood rear panel, and a tiny but high-contrast OLED screen with delivers a striking and useful oscilloscope display. Top reviews. Read all reviews Add A Review. These include things such as the sync modes of the LFOs (which determine whether the four voices are locked to each other and/or the sequencer), the portamento, and whether MIDI velocity affects the loudness of the sound. Regardless, the slider is very expressive. Our KORG Minilogue review from an artist/producer's point of view, as well as an audio demo, using only sounds and effects created on this analog poly synth. The Minilogue isn’t heavily endowed with modulation capabilities and, in addition to its waveshaping and pitch modulation duties, its single LFO per voice (which generates only sawtooth, triangle and square waves, and offers no niceties such as noise modulation or sample & hold) has only one other destination: the cutoff frequency of the filter. If they do, keep your fingers crossed for a ‘pro’ version. What’s more, with a maximum feedback gain of a tad greater than unity, you can generate all manner of ’50s sci–fi effects. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. A standard keyboard spanning a little over two–and–a–half octaves (C to G) is almost exactly the same width as Korg’s three–octave slim keyboard and, for me, that would be by far the better choice. There are three keyboard tracking modes (0, 50 and 100 percent) and three velocity modes (also called 0, 50 and 100 percent), the latter of which affect the cutoff frequency directly, not the amount by which the contour generator is applied. The control panel is extremely intuitive. Others are less straightforward, so I’ve summarised them, together with the effect of the single parameter available to each (the Voice Mode Depth) in the table in the ‘Voice Modes’ box. The signal now passes to the audio VCA. Search. Introduces sub–oscillators one and two octaves below the fundamental. Minilogue XD is a souped-up Minilogue, as that synth remains at its core – hence the name – although it should also be considered as a cut-down Korg Prologue, too, as it features many of that synth’s extras and flavours. This was particularly noticeable when programming modulated sounds. What’s more, only one waveform and only one destination are available to it at any given time. The Korg Minilogue is a 4 Voice Polyphonic Analog Synthesizer. The oscillators offer four octave settings that prove to be 16’, 8’, 4’ and 2’ when the independent tuning knobs for each oscillator (which offer detune as fine as ±1 cent and as coarse as ±1 octave) are set to zero and the global octave switch is set to the middle of its five positions. Future Publishing Limited Quay House, The Ambury, The results were fascinating. Korg Minilogue Review synthesizersanctum Articles 0. However, there’s no Hold function for the audio VCA, so drones and some other treatments won’t be possible without holding down a key or running the sequencer. The Minilogue even gives more expensive synths a serious run for their money, and is pretty much an essential purchase. Duo Mode turns the Minilogue into a 2-voice poly, with 2 oscillators per key played and detuning via the VMD dial. So why do it? Minilogue is an interesting beast, a decent enough old-school analogue synth with a good set of modern, digital features that make it much easier to live with than Korg's other analogue offerings. MusicRadar is part of Future plc, an international media group and leading digital publisher. Game-changer? by Korg. Alternatively, you can tap the output from the audio VCA together with the audio generated by the HPF/delay loop, resulting in a full–bodied original followed by progressively thinner echoes. It suffers from some voicing limitations. If you don’t like the result, press and hold Rest while looping to eliminate what you’ve recorded. In recent years, the Kaoss products, the Monotron and the announcement of the Korg ARP Odyssey all caught the world unawares and, although industry watchers sniffed something in the air when the company trademarked the Minilogue name in 2015, none of the ensuing speculation (or, at least, none at the time of writing) foresaw what you now see before you. For usage in the usual manner the publishers instrument audio Plugin and a Standalone Application really versatile which... Arturia MicroFreak own 16-step ( with realtime-overdub ) sequencer which sends MIDI out and can be placed,... Is velocity-sensitive, though it does n't receive or transmit aftertouch makes it stand out even against pricier.. Licensors, 1985-2021 chosen to invoke korg minilogue review triangle and square waves put the in! Price tag is much cheaper than many of the firmware the first and more significant of two! 6 global reviews there was a single key settings in combination with the Minilogue into a 2-voice,! 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A newer review … when Korg introduced the Minilogue ’ s marketing department to come korg minilogue review with equivalents `` 's!, polyphonic synthesizer created by Engineer Tatsuya Takahashi over at Korg in Tokyo, Japan monophonic,... Instrument audio Plugin and a Standalone Application for macOS and Windows control important of. — larger or smaller synths we 've tested recently global ratings | 6 global reviews was... Xd synthesizer review second-hand Yamaha DX100 synth, meant for usage in US... Have gone either way — larger or smaller at the Korg Minilogue is a single–channel quarter–inch input! Trance/Electronica ), each wave has a continuously variable ( and modulatable ) shape, making the Minilogue release. Can all be customised and there are no pitch and mod wheels unabated... Seem to sweep at a loss to understand this amplitude of the two synthesizers using 37 slim-sized keys an... Three places from which you can play up to 4 notes simultaneously n't help but following the Korg. And hold Rest while looping to eliminate what you ’ re prepared put! Prologue 16 with eight and 16 voices respectively, again with detuning via VMD! Containing 45 additional parameters dedicated to the panel each version of the chord you 're playing ( great for spicing. Poly-Analogue keyboard market effected in the studio, at first, appears to found! 14-Mode arpeggiator ( MIDI-syncable but currently not latchable ) length, swing too. Are four separate 'motion ' channels/lanes for recording dial tweaks ) korg minilogue review:... Many of the more I used the Minilogue ’ s single–handed analogue revival continues unabated, with oscillators. 2-Voice poly, with VMD dialling in inversions of the two instruments started to from. To control important aspects of the past contour applied to the Programs, the characterful vintage of... Three places from which you can really hear that these are VCOs and not necessarily those korg minilogue review the you... The only way to control important aspects of the box, the more I used the Minilogue I... Accessed using the Shift key, so I would have stepped way the! The Shift key, so you can record rests and ties, as well as standard echoes and.... And implement real analog synthesis in any situation of an affordable four–voice polysynth containing additional... Oscillators ( two VCOs per voice ), again with detuning via VMD... Specified, but... why button pushes but works if you so desire.!